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Would You Record In A Strange Place To Get Mood For Your Record?

August 27, 2009 Leave a comment

SharonTateHouseI’ve been doing work with the Nine Inch Nails multitracks lately and it got me to thinking about how Trent Reznor from NIN recorded “The Downward Spiral”. He said he tried out a lot of different places and he liked the house that Sharon Tate was murdered in. He ultimately recorded the record there as well as a few others.

I know that sounds odd. And it got me to thinking if he hadn’t recorded it there, the record would’ve ended up completely different than it turned out. I know it made the mood of that record different from the earlier releases as well as the later ones. It was dark, scarry. But what can’t be denied is how good it sounded.

Whether you like rock/electronic music or not, it was recorded, mixed, mastered, and remastered really well.

This got me to thinking if room acoustics weren’t an issue, would you think about going to a location that would inspire a specific tone or mood for your record?

If I was making a childrens record, I might like to be in a day care’s off hours to set a mood. Or if I wanted something dark or somewhat spooky, I might do it at a house that was claimed to be haunted.

It can even go further than that. If you were doing a record that appealed to teens, would you record in a highschool at night? Maybe set up your gear around the desks?

Presonus Studio One

August 26, 2009 Leave a comment

presonus-studio-onePresonus is about to release a music creation-editing-production software called Studio One. It isn’t available yet but you can download a free demo from their website.

It has some stipulations to it though. It only works for 30 days, you can’t save, and you can’t import mp3 files.

But they  say it’s good though. 🙂

Is anyone else getting tired of companies joining the “We’ve got a music creation-editing-production software available”?  So how many is this now. Is anybody keeping count?

It has to be something revolutionary for people to change the software they’re comfortable with. My only question to the new software packages is “What are you doing different?” If your answer is “nothing”, you shouldn’t be wasting your time and money.

Mackie Working With Protools?

August 25, 2009 Leave a comment

mackie-1Mackie seems to have a firewire analog mixer  that they’re about to release and it supposedly works with Protools M-Powered. I’m not sure how much Protools knows about this or if they’re in on this or not. Something tells me they are.

But just in case they’re not, I tip my hat off to you Mackie for fighting the power. Protools have been a little too protective of their hardware for far too long.

Maybe Protools is actually trying to see the light. Maybe they’re finally figuring out that this could be a nice boost to their bottom line in this terrible economy. Who knows?

But Mix Magazine has a report about this piece of mail from Mackie that’s a little gimicky if you asked me. When you get a chance, check it out.

Categories: Mixing, Pro Audio News

Propellerhead Record Download

August 24, 2009 Leave a comment

propellerhead-recordPropellerhead has something good going with their Record software. If you’re at all familiar with Reason, it won’t take you long to get the hang of it. Honestly I really liked the software. I really liked it. Until I went to bounce.

Seriously Propellerhead, did you really have to disable that? What’s the logic? Because I sure can’t see it. It’s a boneheaded move on your part.

Here’s what you should have done:

1. Limited the beta testers instead of limiting what you can save and what you can’t.

2. You should’ve given your die hard fans (the very people who signed up for an invite) with something more since they actually are helping you with your own bottom line.

These people are doing something completely useful for you for absolutely no money whatsoever. You should’ve at least given them a way to test the whole thing.

You have good software. No denying that. But you guys need to start thinking long term.

How You Mix Tells A Lot About You

August 22, 2009 Leave a comment

MixerboardSince I’ve been getting a lot of new visitors to my new blog, I got my first question.

“How do you mix”.

I believe this to be a serious problem to everyone new to recording. It’s the hardest thing I’ve had to learn to do. I decided I’d make my answer in a post.

The way you do it may be different. But, I’ve had success with doing it like this. And that’s all I want to do in this post. To tell people having trouble with it the way I do it.

Ok.

Here we go:

Mixing is serious business. Often times you have to turn something awfully complex into something simple. It’s hard to come up with tips for mixing. I know there are reams of information on the internet about, but I wanted to take a stab at it.

What I’m about to write isn’t a tip. It’s more of the way I’ve been doing it with success. It doesn’t work in all situations, and I’ll tell you more about that in a minute. This is how I usually sit down and mix:

What’s important to remember is that “all faders love to go up”

– The most dominant track is the vocals in most cases so I start at the vocal. Nothing else. I go up as much as humanly possible.

– If there’s a lot of dynamics, I’ll compress.

– Once I’m satisfied with the vocal, I’ll start with the bass drum. Because it’s usually the bass drum that’s the second most important track.

– I usually mix the bass drum, snare, and bass guitar at the same time to get a feel for what I’m doing. Bass drum usually needs a little compression. And I pan it off center a little bit. Same with the bass guitar, accept I go the other way. So Bass Drum is a little to the left and the bass guitar is a little to the right. That usually gives both definition. If I’ve mic’ed right.

– Then I go to the next most important track. Sit that in the mix. All the way to the least important. It is usually there that I “sit on it a couple of days” and come back to it.

If it’s muddy or anything else, I fix it then.

Back to what I said about it not working in all situations: It’s rarely a perfect situation with a drummer that’s at home with recording. They usually tune their drums for live performances. Not good for you. You either tell them you need to tune the drums differently (good luck). Or you use triggers as best as you can.

If they don’t care about the quality of their recordings, maybe they shouldn’t be recording. So you are on the same side. You just have to let him/her know that it needs to be tuned different if they want to sound good. Even if they’re ok with sounding shitty, you aren’t. You have a rep to maintain.

For Guitars

What I’ve been doing is going direct out to the board and sending it to their amp. When I get ready to mix, I used to mic my amps and route it back to the board. I don’t do that much now. I usually just use a plugin since plugins have gotten really good lately.

I’ve never had a guitarist who actually wanted to sound shitty. So they’ll usually go along with you (myself included. I’m a guitar player.)

For Bass Guitars

For bass guitar, if they’ve done any recording in the past, they’re open to going direct. That’s great for you. Use a plugin. I used to use DI boxes, but I have a Focusrite preamp that I love for basses.

A lot of times keyboards get in the bass’s way. So I pan it wherever the bass isn’t panned.

For Keyboards

This is what I do for keyboards. Keyboardists have developed the sound they want. Most are very smart. I go direct to the board. Then, when mixdown comes, I send it out to the loudspeakers and have two small diaphragm condensers in the xy pattern and then I mix that with the direct signal. This usually helps “open” it up stereophonically.

After the mix

I know bands don’t like to wait for their mixes to be done. But what I like to do is when I have the main mix done, I like to “sit on it” for an additional few days. Let other people hear it through their listening environments and give me feed back.

If I just don’t have enough time to do that, I do the best I can with the main mix. There’s usually not much to change anyway. But a little more time does help the mix.

Categories: Mixing

Tool Dependence – Which Tool Do You Use Most?

August 21, 2009 Leave a comment

tool-dependenceOver the years, I’ve created hundreds of songs with my computers. And for the most part, I still have the multi track sessions. Thank God.

I listen to a song I’ve been working on and think “the drums from song x would be great with this. I need to make a sample of those drums”. I can’t believe how much that happens with me. It seems like I’m loosing more and more creativity as I age. 🙂

So my tool dependence is obviously Propellerheads’ Recycle. To be such a simple program, I use it every single day. If it’s not me that needs it, it’s one of the hiphop acts I record that needs it. They’ll come in with these crazy drum loops in 135 bpm and want me to slow it down to 90 or something like that.

If you’re changing tempo on drum loops alot, Recycle is the perfect software. And with so many recording software packages that can read rex files (FL Studio, Logic, Protools, etc.), it makes it an obvious choice. Even if you’re using a software that doesn’t support it, it can help out a lot. You can export to wav files.

Categories: Editing, Mixing, Recording

Nine Inch Nails Remixes – More Bands Should Do This

August 21, 2009 Leave a comment

nin-screenshotI’m a huge fan of Nine Inch Nails and when they released multitrack versions of some of their songs, I jumped on it. Seriously, every band should be doing this. It can only help with promotion. Anyway, I’ve been spending a lot of time lately making remixes of some of the songs they’re offering.

If you haven’t already, you can download the multitrack versions here: Nine Inch Nails Remixes

“God Given” is the track I’ve been working on. If you’re interested in knowing. 🙂

I have even more respect for Trent Reznor now that he’s done this. This one guy has done much for internet music, he doesn’t get the credit he diserves. Even if you’re just starting out, the professional quality multitracks are something I wish I had when I was starting.

These have been out for quite some time, but I just wanted to say something about it since I’ve been revisiting the mixes. If you haven’t already, you need to download those.

Categories: Editing, Mixing, Recording